Thirty-four years ago I opened our house to the public to show some of my family paintings during July. A year later Open Studios was officially launched and I went on to exhibit with them.
I always enjoyed talking about my work and this gave me the idea for
Ted Coney's Family Portraits and the tours I subsequently started.
Last week a chap came to interview me, as he is writing a book on the history of open studios in Cambridgeshire.
I told him how I tried to get the organisers of the Cambridge Festival to publicise our studios in their booklet, but they turned us down.
I got my sweet revenge when, at the end of the season a review of my work was placed within all the festival events in the local paper.
I always enjoyed talking about my work and this gave me the idea for
Ted Coney's Family Portraits and the tours I subsequently started.
Last week a chap came to interview me, as he is writing a book on the history of open studios in Cambridgeshire.
I told him how I tried to get the organisers of the Cambridge Festival to publicise our studios in their booklet, but they turned us down.
I got my sweet revenge when, at the end of the season a review of my work was placed within all the festival events in the local paper.
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